“Yes, almost inevitably, the building does not survive its encounter with Bond, and as he saunters away from its smoking ruins, it occurred to me that few buildings ever do. Bond movies invariably end like Quantum: with 007 single-handedly trashing not only the plans of would-be world dominators but also their hideouts, which is a pity because most of them are rather splendid. Think of the stupendous submersible lair of Stromberg in the Spy Who Loved Me with its circular underwater windows and 2001-style furniture, the hollowed-out volcano in You Only Live Twice, the vertiginous control room in Moonraker, the elegant, if structurally unfeasible, ice palace in Die Another Day, and so forth. Some of the low-rent Bond baddies settle for oil rigs and such, but whatever the villain’s crib of choice, you can guarantee it’s going to get exploded. Those villains tend to put a great deal of effort into their bachelor pads, recruiting tasteful but evil architects, contractors, interior designers etc – it can’t be easy. Then along comes Bond. The villains are the creators; Bond is the destroyer. He’s basically an enemy of architecture.”

Mega-structures rock !